Landschap met een ruitergevecht tussen twee putti - Christoph Jamnitzer
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Description
A whimsical etching by Christoph Jamnitzer depicting two putti in a mock cavalry duel, showcasing the artist's technical precision and Mannerist wit.
This etching by Christoph Jamnitzer depicts a whimsical scene of two putti engaged in a mock cavalry duel. As a member of the prominent Nuremberg family of goldsmiths and artists, Jamnitzer brought a high degree of technical precision to his printmaking. The composition features two small figures mounted on horses, captured in a moment of dynamic confrontation. One putto appears to have been unseated, with his shield and lance lying on the ground, while the other remains mounted, maintaining a posture of victory.
The work reflects the Mannerist interest in playful, allegorical subjects that subvert traditional heroic iconography. By replacing armoured knights with putti, Jamnitzer creates a lighthearted narrative that contrasts with the serious tone of contemporary battle scenes. The etching demonstrates the artist's skill in line work, particularly in the rendering of the horses' musculature and the decorative elements of the armour. The background is sparse, consisting of a few stylised clouds and a single tree, which serves to focus the viewer's attention on the central action.
Jamnitzer was known for his inventive designs, which often incorporated grotesque and ornamental motifs. This print is characteristic of his output, showing a balance between technical control and imaginative subject matter. The clean lines and clear composition make it a fine example of early seventeenth-century German print culture. It offers a glimpse into the period's fascination with classical themes reinterpreted through a lens of wit and artistic virtuosity.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landschap met een ruitergevecht tussen twee putti - Christoph Jamnitzer
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