Le Bain Chaud - Honoré Daumier
Archival giclée
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Description
A satirical 1839 lithograph by Honoré Daumier from the Les Baigneurs series, depicting a man's comical reaction to an excessively hot bath.
This lithograph is part of the series Les Baigneurs, published in the French satirical journal Le Charivari in 1839. Honoré Daumier, a master of the medium, uses his characteristic economy of line to capture a moment of domestic absurdity. The scene depicts a man submerged in a bathtub, his expression one of comical distress as he reacts to the excessive temperature of the water. The caption below the image reads: Sapristi! on ne fourre pas un homme dans de l'eau comme ça. On y flanque des Homards! (Good heavens! One does not put a man in water like that. One puts lobsters in it!).
Daumier employs a loose, expressive drawing style that prioritises character and gesture over precise anatomical detail. The figure is rendered with quick, confident strokes, while the surrounding environment is suggested through minimal shading and cross-hatching. The steam rising from the tub is depicted with soft, atmospheric marks, contrasting with the sharper outlines of the chair and the discarded clothing. This work demonstrates Daumier's ability to observe the mundane habits of the Parisian bourgeoisie and transform them into social commentary. By focusing on the physical discomfort of the bather, he mocks the pretension and inconvenience associated with the growing trend of public bathing facilities in nineteenth-century France.
As a printmaker, Daumier was prolific, producing thousands of lithographs that documented the political and social climate of his time. His work is noted for its psychological insight and its ability to convey narrative through a single, well-composed frame. This piece remains a fine example of his satirical output, offering a glimpse into the daily life and humour of the period. The print is presented here with the clarity and detail expected of a museum-grade reproduction, preserving the texture of the original lithographic stone.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Le Bain Chaud - Honoré Daumier
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