Le Botin à Conflans - Charles-François Daubigny
Archival giclée
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Description
An atmospheric etching by Charles-François Daubigny depicting his studio boat, Le Botin, moored on the river at Conflans.
Charles-François Daubigny was a central figure in the Barbizon School, known for his dedication to painting directly from nature. This etching depicts his famous studio boat, Le Botin, which allowed him to navigate the rivers of France and capture the shifting light and atmosphere of the water. The composition shows the vessel moored near the banks of Conflans, with the artist himself visible on board.
The print demonstrates Daubigny's mastery of the etching needle. He uses fine, rhythmic lines to define the water's surface, the distant treeline, and the expansive sky. The smoke rising from the boat adds a sense of quiet activity to the scene. The work captures the solitude of the artist at work, reflecting his preference for observing the natural world from the water rather than from the shore.
This specific impression includes handwritten annotations in the lower margin, typical of proofs intended for publication or circulation among collectors. The delicate handling of the sky and the reflection of the boat in the water illustrate the technical precision Daubigny brought to his graphic work. By focusing on the river as a subject, he influenced the later generation of Impressionists who would also seek to capture the transient qualities of light on water. The print remains a record of the artist's mobile workspace, a vessel that became synonymous with his practice during the mid-nineteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Le Botin à Conflans - Charles-François Daubigny
Artist Biography
Charles Francois Daubigny
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