Le Marchand de Marron - Henri de Toulouse-Lautrec
Archival giclée
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Description
A candid lithograph by Henri de Toulouse-Lautrec capturing a Parisian chestnut vendor and passersby in the late nineteenth century.
Henri de Toulouse-Lautrec possessed a singular ability to capture the fleeting rhythms of Parisian street life. In this lithograph, he documents a common sight in the city: the chestnut vendor. The composition is sparse, relying on the economy of the lithographic crayon to define figures against the pale ground. A vendor stands at his cart, while a woman in a feathered hat and a small child observe the scene. A dog occupies the foreground, adding a touch of domestic realism to the urban encounter.
Unlike his more formal portraiture, this work functions as a candid observation. The artist avoids heavy shading, preferring to let the texture of the stone and the grain of the paper suggest form. The figures are rendered with quick, gestural marks that convey movement and presence without unnecessary detail. Toulouse-Lautrec often frequented the streets of Montmartre, observing the social strata of the capital. His work here reflects a detached, observational approach to the daily routines of the working class.
This print demonstrates the artist's mastery of the lithographic medium. He uses the crayon to create varying degrees of pressure, resulting in a range of tones from faint grey to deep black. The lack of a defined background forces the viewer to focus on the interaction between the figures. It is a quiet, unassuming piece that captures a specific moment in time. The work remains a fine example of the artist's graphic output, showing his preference for subjects drawn from the reality of the street rather than the studio. The composition is balanced, with the dog providing a visual anchor in the lower left, drawing the eye into the scene. This print offers a glimpse into the social fabric of late nineteenth-century Paris through the lens of a keen observer.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Le Marchand de Marron - Henri de Toulouse-Lautrec
Artist Biography
Henri De Toulouse Lautrec
Toulouse-Lautrec's posters and paintings, such as 'At the Moulin Rouge' and 'Jane Avril,' immortalised the iconic figures of the era. He elevated the art of lithography, using bold colours and innovative compositions to create striking advertisements and artworks. His distinctive style, characterised by flattened perspectives and expressive line work, defied academic convention and embraced the energy of modern life.
Despite his tragically short life, cut short by alcoholism and syphilis at just 36, Toulouse-Lautrec left an indelible mark on art history. He bridged the gap between fine art and commercial design, influencing generations of artists and solidifying his place as a key figure in Post-Impressionism. His works offer a glimpse into a vibrant and often overlooked side of Parisian society, capturing the spirit of a bygone era with enduring appeal.
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