Let's Repay the Coal Debt to the State - Gustavs Klucis
Archival giclée
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Description
A striking 1930 Constructivist photomontage by Gustavs Klucis, featuring three miners as symbols of industrial labour against a bold red background.
Gustavs Klucis, a Latvian artist active in the Soviet Union, produced this work during the early years of the first Five-Year Plan. As a pioneer of the photomontage technique, Klucis utilised the medium to create dynamic visual narratives that merged photography with graphic design. This poster, titled 'Let's Repay the Coal Debt to the State', features three miners positioned against a stark, saturated red background. The composition relies on the juxtaposition of monochrome photographic figures and bold, flat colour fields, a hallmark of the Constructivist approach to agitprop.
The figures are depicted with tools of their trade, including a pneumatic drill and a miner's lamp, which serve as symbols of industrial productivity. By isolating the workers from a specific background, Klucis creates a sense of monumental scale, elevating the individual labourer to a heroic status within the state-sanctioned ideology of the era. The text, integrated into the upper portion of the design, functions as a direct call to action, typical of the period's graphic output.
Klucis was deeply involved in the development of Soviet visual culture, often experimenting with scale and perspective to maximise the impact of his designs. His work reflects the intersection of avant-garde artistic experimentation and the rigid requirements of state propaganda. The use of high-contrast black and white imagery against the red ground creates a visual tension that draws the viewer's eye to the central figures. This piece remains a primary example of how early twentieth-century artists adapted modern techniques to communicate specific political objectives to a mass audience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Let's Repay the Coal Debt to the State - Gustavs Klucis
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