Liggend ovaal met putto op zeewezen - Christoph Jamnitzer
Archival giclée
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Description
A fine etching by Christoph Jamnitzer depicting a putto riding a fantastical sea creature, designed as an ornamental motif.
This etching by Christoph Jamnitzer belongs to a tradition of ornamental design prevalent in the late sixteenth and early seventeenth centuries. Jamnitzer, a member of a prominent Nuremberg family of goldsmiths, applied his expertise in metalwork to the medium of printmaking. The composition features a putto mounted upon a fantastical sea creature, contained within a horizontal oval frame. This format was common for decorative panels intended for use by craftsmen in various media, including silver, wood, and stone.
The figure of the putto displays the characteristic proportions and playful posture associated with Mannerist art. The sea creature, a hybrid form with scales and a serpentine tail, reflects the period's fascination with mythological and marine motifs. Jamnitzer employs fine, controlled lines to define the musculature of the putto and the textured surface of the creature. The background includes a subtle suggestion of a coastal horizon, which provides a sense of space without distracting from the primary subject.
Such prints were often produced as part of larger series, serving as pattern books for artisans who required motifs for decorative commissions. The work demonstrates the technical precision required for engraving and etching during this era. By isolating the figure within an oval, Jamnitzer creates a self-contained unit that could be easily adapted for different decorative applications. The balance between the organic forms of the figures and the geometric constraint of the oval frame is typical of the period's approach to ornamental design. This print offers a glimpse into the workshop practices of a master goldsmith, where the boundaries between fine art and applied craft were fluid. The clarity of the line work ensures that the details remain legible even at a small scale, a necessity for designs intended for reproduction and practical use by other makers.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Liggend ovaal met putto op zeewezen - Christoph Jamnitzer
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