Lijken op de stenen vloer van de wasruimte - Aat Breur-Hibma
Archival giclée
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Description
A stark, observational graphite drawing by Aat Breur-Hibma documenting the conditions within the Ravensbrück concentration camp.
This drawing by Aat Breur-Hibma is a stark, observational record of the conditions within the Ravensbrück concentration camp. Breur-Hibma, a Dutch resistance member, produced these sketches clandestinely during her imprisonment. The work captures the grim reality of the camp, depicting figures on a stone floor with a direct, unadorned approach to line and form.
The composition is sparse, focusing on the physical state of the subjects. The artist uses thin, graphite lines to delineate the emaciated figures, avoiding any stylistic embellishment. The torn edge of the paper suggests the precarious circumstances under which the work was created, as materials were scarce and the act of drawing was dangerous. The figures are rendered with a sense of detachment that conveys the gravity of the environment without resorting to melodrama.
Breur-Hibma's work functions as a visual diary. It provides a specific, personal account of the dehumanisation experienced by prisoners. The lack of depth and the focus on the arrangement of bodies on the floor create a sense of immediate, claustrophobic reality. By documenting these scenes, the artist preserved evidence of the atrocities witnessed during the Second World War. This print offers a clear reproduction of the original sketch, maintaining the texture of the paper and the faint, deliberate marks of the graphite. It is a piece of historical documentation that requires careful consideration of its context as a record of survival and resistance.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lijken op de stenen vloer van de wasruimte - Aat Breur-Hibma
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