Lijkstatie van George I, koning van Engeland - Leonard Schenk
Archival giclée
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Description
A detailed 1727 etching by Leonard Schenk documenting the funeral procession of King George I as it travels through Hanover.
This etching and engraving by Leonard Schenk documents the funeral procession of King George I, who died in 1727. The composition captures the solemnity of the event as the royal carriage, draped in mourning fabrics and topped with a crown, moves through a public square in Hanover. The scene is populated by numerous figures, including mounted guards and attendants, all rendered with the precise line work characteristic of eighteenth-century Dutch printmaking.
Schenk, a prolific engraver based in Amsterdam, produced this work to record the transfer of the monarch's remains from Osnabrück to Hanover. The print includes a bilingual inscription in Dutch and Latin at the base, which provides the specific date of the procession, 6 September 1727. The architectural backdrop features classical facades, providing a sense of scale and order to the chaotic movement of the funeral cortege. The artist employs a variety of hatching techniques to differentiate between the textures of the horses, the heavy drapery of the carriage, and the stone surfaces of the surrounding buildings.
As a historical record, the print offers a glimpse into the ceremonial protocols of the Hanoverian court. The perspective is slightly elevated, allowing the viewer to observe the density of the crowd and the orderly progression of the procession. The work is typical of the period's interest in documenting state events through mass-produced prints, which allowed news of royal transitions to circulate across Europe. The clarity of the lines and the structured arrangement of the figures demonstrate the technical proficiency of Schenk's workshop. This print is a valuable example of how graphic arts functioned as a primary medium for visual reportage before the advent of photography.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lijkstatie van George I, koning van Engeland - Leonard Schenk
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