Loos alarm - Marius Bauer
Archival giclée
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Description
A satirical lithograph by Marius Bauer depicting a Don Quixote-like figure battling personified newspaper windmills, reflecting late 19th-century Dutch social critique.
This satirical lithograph by Marius Bauer, titled Loos alarm, offers a sharp commentary on the Dutch cultural and journalistic climate of the late nineteenth century. Bauer, known primarily for his Orientalist scenes and etchings, here adopts a more biting, allegorical approach. The composition features a figure reminiscent of Don Quixote, complete with armour and lance, engaged in a chaotic struggle against windmills. These windmills are personified with human faces and labelled with the names of contemporary Dutch newspapers, such as De Kroniek and Vaderland.
The central action involves a horse marked Kunstbode, which appears distressed, while another figure struggles atop a donkey. The inclusion of text, such as the speech bubble reading 't zel wel opklaeren', adds a layer of narrative urgency to the scene. The work functions as a critique of the press and the intellectual debates of the era, using the familiar literary motif of the errant knight to mock the futility of certain public controversies.
Bauer employs a loose, expressive line quality that captures the frantic energy of the scene. The shading is applied with a light, sketch-like touch, allowing the paper tone to provide the primary illumination. The composition is crowded, reflecting the noisy nature of the discourse it depicts. While Bauer is often associated with the exoticism of the Middle East, this piece demonstrates his ability to engage with domestic social themes through a lens of dark humour and historical allusion. The print serves as a record of the specific tensions within the Dutch art and literary circles of the 1890s, where the influence of the press on public opinion was a frequent subject of debate. The work is a fine example of the period's penchant for using classical literary figures to lampoon contemporary figures and institutions.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Loos alarm - Marius Bauer
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