Lot and His Daughters - Raphael Morghen
Archival giclée
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Description
A detailed 1822 engraving by Raphael Morghen depicting the biblical scene of Lot and his daughters, rendered with technical precision and tonal depth.
This engraving by Raphael Morghen depicts the biblical narrative of Lot and his daughters following the destruction of Sodom. Morghen, a master of the burin, demonstrates his technical precision in this work, which is based on a composition by Guercino. The scene captures the figures in a moment of quietude, set against the backdrop of a burning city, rendered with subtle tonal gradations that define the atmospheric perspective.
The composition is balanced, with the figures arranged in a triangular formation that draws the eye across the foreground. Lot sits beneath a tree, holding a vessel to his lips, while his daughters gesture towards the distant flames. The drapery of their garments is executed with fine, rhythmic lines, a hallmark of Morghen's style, which allows for a sense of volume and texture despite the monochromatic medium. The contrast between the foreground figures and the hazy, smoke-filled horizon provides a clear sense of depth.
Raphael Morghen was a significant figure in the history of printmaking, known for his ability to translate the painterly qualities of Old Master works into the medium of engraving. His work was highly regarded during his lifetime for its clarity and adherence to the original compositions he reproduced. This print exemplifies the Neoclassical preference for structured, narrative-driven art, where the focus remains on the clarity of form and the emotional weight of the subject matter. The attention to detail in the foliage, the textures of the stone, and the expressions of the figures reflects the rigorous training and discipline characteristic of the period. This piece offers a window into the 19th-century practice of disseminating classical and religious art through high-quality reproductive prints, allowing such imagery to reach a wider audience beyond the confines of private collections.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lot and His Daughters - Raphael Morghen
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