Louis de La Tour d'Auvergne, Count of Evreux - Georg Friedrich Schmidt
Archival giclée
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Description
A formal portrait engraving by Georg Friedrich Schmidt, depicting the Count of Evreux in military armour, based on an original painting by Hyacinthe Rigaud.
This portrait engraving by Georg Friedrich Schmidt depicts Louis de La Tour d'Auvergne, Count of Evreux, in a composition that reflects the formal traditions of eighteenth-century French aristocratic portraiture. Schmidt, a German printmaker who spent significant time in Paris, was highly regarded for his technical precision in reproducing the works of painters such as Hyacinthe Rigaud. The original painting by Rigaud provides the basis for this print, capturing the subject in full military regalia.
The Count is shown in polished armour, his hand resting upon a baton of command, which signifies his status as a high-ranking military officer. Beside him sits a plumed helmet, resting on a rocky ledge. The background features a distant skirmish, a common device in military portraiture to suggest the subject's active participation in the campaigns of the French monarchy. The contrast between the smooth, reflective surfaces of the metal armour and the soft, voluminous folds of the fabric draped across his lap demonstrates Schmidt's mastery of the burin and etching needle.
Schmidt's work is characterised by a disciplined approach to line and tone. He employs varied hatching techniques to create depth and volume, ensuring that the textures of the skin, the metal, and the sky are distinct. The inclusion of the full title and rank of the sitter at the base of the print follows the conventions of the period, serving as a formal identification of the individual. This print offers a clear view into the visual language of the French court, where military prowess and noble lineage were presented through carefully constructed imagery. The work remains a fine example of the reproductive printmaking tradition, where the engraver acted as a bridge between the original oil painting and a wider audience of collectors.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Louis de La Tour d'Auvergne, Count of Evreux - Georg Friedrich Schmidt
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