Lovers under Lilies - Marc Chagall
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Description
A dreamlike oil painting by Marc Chagall featuring a couple in an embrace beneath a large, floating bouquet of lilies and roses.
Marc Chagall painted Lovers under Lilies between 1922 and 1925, a period marked by his return to Paris from Russia. The work captures his characteristic approach to memory, romance, and dreamlike imagery. The composition features a couple in a close embrace, their figures partially obscured by an oversized, floating bouquet of white lilies and pink roses. This floral arrangement acts as a canopy, merging the physical presence of the lovers with the natural world.
Chagall employs a soft, atmospheric application of paint, creating a hazy background that suggests a twilight sky or a dream state. A small, glowing moon appears in the upper left corner, while the faint outline of a house sits near the horizon, grounding the scene in a sense of place that feels both personal and universal. The figures possess a gentle, tender quality, typical of Chagall's depictions of his wife, Bella Rosenfeld. The colour palette relies on muted blues, purples, and earthy tones, which allow the white petals of the lilies to emerge with clarity.
This piece avoids rigid perspective, opting instead for a fluid arrangement where elements float and overlap. The scale of the flowers relative to the figures creates a sense of wonder, suggesting that the emotion of the moment transcends ordinary reality. By blending the human form with botanical motifs, Chagall invites the viewer into a private, lyrical space. The work remains a clear example of his ability to synthesise folklore, personal history, and modernist techniques into a cohesive visual narrative.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lovers under Lilies - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
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