Man met paard voor de ingang van het abattoir - Johan Braakensiek
Archival giclée
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Description
A charcoal and chalk study by Johan Braakensiek depicting a man and a horse at the entrance of an abattoir, rendered with soft tonal depth.
This charcoal and chalk study by Johan Braakensiek captures a quiet, observational moment in urban life. The composition focuses on the entrance to an abattoir, where a man stands with a horse, presumably waiting or preparing to enter. Braakensiek, a Dutch artist known for his illustrative work and depictions of daily life, employs a soft, tonal approach that emphasises the texture of the horse's coat and the architectural elements of the gate.
The drawing relies on subtle gradations of grey to define the space. The light source, suggested by the placement of the lanterns and the soft shadows cast on the ground, creates a sense of atmosphere. The artist uses a delicate hand to render the horse, which occupies the foreground, while the figure of the man is slightly more gestural, directing the viewer's eye toward the gate marked 'ABATTOIR'. The background remains somewhat indistinct, allowing the primary subjects to maintain their presence without competing with the surrounding environment.
Braakensiek often documented the social and physical realities of his time. This work reflects his ability to find subject matter in the mundane activities of the city. The use of chalk highlights on the horse and the gate structure adds a degree of volume to the scene, preventing the image from appearing flat. The drawing is a clear example of the artist's technical proficiency in charcoal, a medium he favoured for its versatility in capturing both fine detail and broad, moody washes of shadow. This print offers a glimpse into the observational practices of a late nineteenth-century illustrator, providing a window into the urban environment of the period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Man met paard voor de ingang van het abattoir - Johan Braakensiek
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