Maria Magdalena zalft de voeten van Christus - Duval
Archival giclée
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Description
A 17th-century woodcut depicting the biblical scene of Mary Magdalene anointing the feet of Christ, rendered with bold lines and traditional iconography.
This woodcut depicts the biblical scene of Mary Magdalene anointing the feet of Christ. The composition follows a traditional narrative structure, placing Christ at the right, seated at a table with other figures, while Mary Magdalene kneels in the foreground. Her posture, with her long hair cascading down, conveys a sense of humility and devotion. The figures at the table are rendered with period-appropriate attire, including turbans and robes, which was a common convention in European religious art of the 17th century to suggest a historical setting.
The print displays the characteristic qualities of woodcut production from this era. The lines are bold and direct, creating a clear contrast between the figures and the background. The artist uses hatching to define the folds of the garments and the texture of the hair, providing volume to the forms despite the two-dimensional nature of the medium. The halo surrounding Christ is represented by radiating lines, a standard iconographic device to denote divinity. The overall arrangement is balanced, with the table providing a horizontal anchor for the scene, while the figures create a sense of interaction and movement.
Duval, an artist active during the 17th century, demonstrates a clear grasp of narrative clarity in this work. The focus remains on the central act of anointing, with the surrounding figures serving as witnesses to the event. The print is executed on paper that has aged to a soft, neutral tone, which complements the stark black ink. This piece offers a view into the visual culture of the period, where religious narratives were frequently reproduced for wider circulation. It is a direct example of how printmaking allowed for the dissemination of theological subjects to a broader audience, maintaining a consistent style that prioritised legibility and emotional resonance.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Maria Magdalena zalft de voeten van Christus - Duval
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