Markt en handel in Bantam - Romeyn de Hooghe
Archival giclée
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Description
A detailed seventeenth-century etching by Romeyn de Hooghe documenting the vibrant trade and urban life of Bantam, Java.
This detailed etching by Romeyn de Hooghe depicts the bustling commercial activity of Bantam, a port city on the island of Java. Produced during the late seventeenth century, the work reflects the European fascination with global trade routes and the operations of the Dutch East India Company. De Hooghe, a prolific printmaker, employs a precise, analytical style to document the urban environment, the local population, and the various goods exchanged in the marketplace.
The composition is structured as a panoramic view, featuring a harbour in the foreground where small vessels are moored. The mid-ground is occupied by a dense arrangement of market stalls, merchants, and local inhabitants, while the background displays architectural structures including a mosque and multi-storey buildings. A key feature of the print is the numerical legend at the top, which provides a systematic guide to the various elements of the scene, such as the customs house, the Chinese merchants, and the specific types of produce available. This cartographic approach to illustration was common in travelogues of the period, aiming to provide an objective record of distant lands for a European audience.
Visually, the work is defined by its fine line quality and high density of information. De Hooghe balances the chaotic energy of a busy port with a rigid, ordered perspective. The print captures the intersection of different cultures and the economic realities of colonial trade, offering a window into the maritime history of the Indonesian archipelago. As a historical document, it provides insight into how the Dutch perceived and recorded their interactions with Southeast Asian societies during the late seventeenth century. The print remains a valuable example of the intersection between artistic production and the documentation of global commerce.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Markt en handel in Bantam - Romeyn de Hooghe
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