Martyrdom of Saint Lawrence - Lucas Vorsterman I
Archival giclée
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Description
A detailed Baroque engraving by Lucas Vorsterman I, after Peter Paul Rubens, depicting the dramatic martyrdom of Saint Lawrence.
This engraving by Lucas Vorsterman I depicts the martyrdom of Saint Lawrence, a subject drawn from the compositions of Peter Paul Rubens. Vorsterman, a skilled printmaker, worked closely with Rubens to translate the painterly qualities of the Flemish Baroque into the precise medium of copperplate engraving. The work captures the dramatic tension of the scene, where the saint is bound to a gridiron while soldiers and executioners surround him.
The composition follows the characteristic Baroque interest in diagonal movement and muscular anatomy. The central figure of Saint Lawrence is illuminated against the darker background, drawing the eye to his physical suffering and spiritual resolve. Above, a putto descends with a palm branch, a traditional symbol of martyrdom, providing a celestial counterpoint to the earthly violence below. The use of varied line weights and cross-hatching allows Vorsterman to render the textures of armour, skin, and the flickering flames of the fire with clarity.
Vorsterman was one of the most capable engravers of his generation, and his collaboration with Rubens resulted in prints that circulated the master's compositions across Europe. This specific print demonstrates the technical rigour required to replicate the volume and light found in Rubens's original paintings. The inclusion of Latin text at the base identifies the work and its dedication, a common feature in seventeenth-century reproductive prints. Collectors of Baroque art will appreciate the balance between the dynamic, theatrical arrangement of the figures and the disciplined execution of the engraving technique. The print offers a view into the collaborative nature of the Antwerp art market during the early seventeenth century, where painters and printmakers worked in tandem to disseminate religious and mythological narratives to a wider audience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Martyrdom of Saint Lawrence - Lucas Vorsterman I
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