Medea (Tanglewood Tales) - Edmund Dulac
Archival giclée
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Description
A refined mythological illustration by Edmund Dulac, created for Nathaniel Hawthorne's Tanglewood Tales, capturing the character of Medea with poise and precision.
Edmund Dulac was a central figure in the early twentieth-century British publishing scene, known for his ability to interpret classical literature through a distinctively decorative lens. This work, created for Nathaniel Hawthorne's Tanglewood Tales, reflects the artist's fascination with Greek mythology and his mastery of the book illustration format. Dulac often employed a refined colour palette and precise line work to evoke the atmosphere of ancient legends, balancing historical motifs with the aesthetic sensibilities of his own era.
In this specific composition, Dulac focuses on the figure of Medea, a character defined by her complex role in the myth of the Minotaur and the Argonauts. The artist uses his characteristic approach to form, where figures are rendered with a sense of poise and stillness. His work for this volume demonstrates a shift away from the more ornate styles of his earlier career towards a cleaner, more graphic clarity. The composition relies on balanced proportions and a controlled use of space, allowing the narrative elements to emerge through subtle gesture and costume detail.
Dulac's contribution to the Golden Age of Illustration is defined by his technical precision and his capacity to translate literary themes into visual form. By working closely with the limitations of the printed page, he achieved a harmony between text and image that was highly regarded by his contemporaries. This print captures the essence of his illustrative style, offering a view into the way classical narratives were reimagined for the Edwardian reader. The work remains a representative example of how illustrators of the period engaged with the canon of Western literature, providing a visual interpretation that prioritised mood and characterisation over literal depiction.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Medea (Tanglewood Tales) - Edmund Dulac
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