Montmartre, le Moulin de la Gallette - Eugène Bejot
Archival giclée
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Description
An atmospheric etching by Eugène Bejot depicting the rooftops of Montmartre and the Moulin de la Gallette in 1897.
This etching by Eugène Bejot captures a view of the Montmartre district in Paris during the late nineteenth century. The composition focuses on the rooftops of the city, with the iconic Moulin de la Gallette visible in the distance. Bejot, a printmaker known for his technical precision, employs a series of fine, hatched lines to define the architectural forms and the atmospheric conditions of the sky.
The work demonstrates the artist's interest in the urban environment of Paris. By choosing an elevated vantage point, Bejot provides a perspective that encompasses both the immediate domestic details of the foreground, such as the chimneys and windows, and the broader silhouette of the hill. The use of etching allows for a high degree of control over the tonal values, creating a sense of depth through the variation in line density. The sky is rendered with diagonal strokes that suggest a grey, overcast day, which contrasts with the solid, structured forms of the buildings below.
Bejot was a member of the Société des Peintres-Graveurs Français and gained recognition for his depictions of Parisian streets and waterways. His approach to printmaking is characterised by a disciplined application of the needle, avoiding unnecessary ornamentation in favour of a clear, observational style. This piece offers a glimpse into the character of Montmartre before the rapid urbanisation of the twentieth century altered its appearance. The print functions as a historical record of the area, documenting the specific architectural vernacular of the period. The artist's signature and the date are visible in the lower corners, confirming the work's origin in 1897. This print is a representative example of the graphic work produced in France during the Belle Époque, reflecting a period when artists frequently turned to the city itself as a primary subject for their creative output.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Montmartre, le Moulin de la Gallette - Eugène Bejot
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