Moses and Joshua - Richard Earlom
Archival giclée
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Made to order
Description
A refined 1787 etching by Richard Earlom after Giovanni Battista Cipriani, depicting the biblical figures of Moses and Joshua with fluid, calligraphic line work.
This etching by Richard Earlom, published in 1787, captures a classical scene derived from the compositions of Giovanni Battista Cipriani. Earlom, a master of the printmaking craft in eighteenth-century London, demonstrates his technical precision through the fluid, calligraphic lines that define the figures of Moses and Joshua. The work reflects the period's fascination with classical antiquity and biblical narrative, rendered here with the lightness and spontaneity of a preparatory sketch.
The composition presents two distinct figures. Joshua sits in the foreground, his posture relaxed yet alert, holding a shield adorned with a sun motif. His form is constructed with economical hatching, which suggests volume and musculature without the need for heavy shading. Behind him, Moses is depicted in a seated position, holding a scroll or tablet, his gaze directed upwards. The lack of a complex background allows the viewer to focus entirely on the interaction of line and form. The print bears the publication details of John and Josiah Boydell, who were instrumental in the promotion of British printmaking during this era.
Earlom is widely recognised for his ability to translate the nuances of drawings and paintings into the medium of etching. In this instance, he maintains the character of Cipriani's original design, ensuring that the gestural quality of the pen work remains visible. The print is a fine example of the reproductive print culture that allowed collectors to acquire high-quality interpretations of classical subjects. The clean, unadorned paper surface provides a neutral ground, allowing the dark ink lines to command attention. This piece offers a glimpse into the collaborative relationship between draughtsmen and engravers in the late eighteenth century, where the skill of the printmaker was essential in disseminating artistic ideas to a wider audience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Moses and Joshua - Richard Earlom
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