Moses Receiving Instructions on Burnt Offerings - Veit Rudolf Specklin
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A sixteenth-century woodcut by Veit Rudolf Specklin depicting the biblical narrative of Moses receiving divine instructions for burnt offerings.
This woodcut by Veit Rudolf Specklin depicts a scene from the Old Testament, specifically the moment Moses receives divine instruction regarding the practice of burnt offerings. The composition is divided into two distinct zones. In the foreground, Moses stands in a posture of prayer, his gaze directed toward a cloud formation from which the figure of God emerges. The artist employs a clear, narrative style typical of sixteenth-century German printmaking, where the theological message takes precedence over naturalistic perspective.
In the background, the scene shifts to the encampment of the Israelites. A group of figures kneels before an altar, from which smoke rises into the sky, visually connecting the divine encounter in the foreground to the ritual practice occurring in the distance. The use of line is precise and functional, characteristic of the woodcut medium, which relies on stark contrasts to define form and space. The landscape elements, such as the rolling hills and the tents, are rendered with minimal detail, allowing the viewer to focus on the interaction between the prophet and the divine.
Specklin, active in Strasbourg during the mid-sixteenth century, produced work that often accompanied religious texts or bibles. This print demonstrates the technical approach of the period, where the woodblock cutter worked to translate the draughtsman's lines into a durable format for mass distribution. The work provides a window into the visual culture of the Reformation era, where biblical narratives were frequently reproduced to aid in religious instruction and personal devotion. The print remains a clear example of the graphic traditions that defined the period, prioritising clarity of subject matter and adherence to established iconographic conventions.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Moses Receiving Instructions on Burnt Offerings - Veit Rudolf Specklin
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

