Mount Goten, from the illustrated book Statue of Fugen (Fugen-zo) - Kitagawa Utamaro
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Description
A woodblock print by Kitagawa Utamaro depicting a social gathering at Mount Goten, featuring figures amidst cherry blossoms in a traditional Japanese setting.
This woodblock print by Kitagawa Utamaro depicts a scene at Mount Goten, a location associated with cherry blossom viewing during the Edo period. The composition features a group of figures in traditional attire, moving through a setting defined by soft, rolling hills and flowering trees. Utamaro, known for his mastery of the ukiyo-e genre, employs a balanced arrangement of figures that suggests a narrative moment of leisure and social interaction. The print originates from the illustrated book titled Statue of Fugen (Fugen-zo), which demonstrates the artist's skill in integrating human subjects with their environment.
The visual execution relies on clear, controlled lines and a muted colour palette, characteristic of the period's printing techniques. The figures are rendered with the elegant proportions and expressive gestures that define Utamaro's approach to the human form. The background elements, including the distant water and the stylized trees, provide a sense of place without overwhelming the primary subjects. The print captures the atmosphere of a seasonal excursion, reflecting the cultural practices of the time. The use of woodblock printing allows for the subtle layering of colours, which contributes to the overall harmony of the image. This work provides a view into the aesthetic priorities of late 18th-century Japan, where the depiction of daily life and natural beauty remained a central concern for artists working in the ukiyo-e tradition.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mount Goten, from the illustrated book Statue of Fugen (Fugen-zo) - Kitagawa Utamaro
Artist Biography
Kitagawa Utamaro
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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