Mrs. Richard Brinsley Sheridan - Thomas Gainsborough
Archival giclée
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Description
A portrait of Elizabeth Ann Sheridan by Thomas Gainsborough, featuring the sitter in a natural woodland setting with soft, feathery brushwork.
Thomas Gainsborough painted this portrait of Elizabeth Ann Sheridan, the wife of the playwright Richard Brinsley Sheridan, between 1785 and 1787. The work depicts the sitter seated in a woodland setting, a hallmark of Gainsborough's approach to portraiture where the subject is integrated into a natural environment. Her pose is relaxed, with her hands resting gently in her lap, and her gaze is directed towards the viewer with a calm expression.
Gainsborough employs his characteristic feathery brushwork, particularly in the treatment of the foliage and the sitter's dress. The colour palette is dominated by muted earth tones, soft pinks, and deep greens, which create a sense of atmospheric unity. The light appears to filter through the trees, casting soft shadows across the figure and the surrounding ground. This technique allows the artist to focus on the textures of the fabric and the soft features of the sitter's face, rather than rigid anatomical precision.
The portrait captures the fashion of the late eighteenth century, with the sitter wearing a simple, flowing gown that reflects the period's preference for a more natural appearance compared to the formal attire of earlier decades. The background, while suggestive of a specific location, remains generalised, serving to frame the sitter rather than document a particular place. This work is held in the collection of the National Gallery of Art in Washington, D.C. It remains a representative example of Gainsborough's ability to combine portraiture with his interest in natural subjects, demonstrating his technical skill in handling oil paint to achieve a light, airy quality that defines his later career.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mrs. Richard Brinsley Sheridan - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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