Musashi, Omi, Yamashiro, and Settsu Provinces from the series Fashionable Six Jewel Rivers (Furyu Mu Tamagawa) - Kitagawa Utamaro
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Description
A classic ukiyo-e woodblock print by Kitagawa Utamaro, depicting figures in scenes inspired by the traditional Six Jewel Rivers of Japan.
This woodblock print by Kitagawa Utamaro belongs to the series Furyu Mu Tamagawa, or Fashionable Six Jewel Rivers. The work depicts figures in settings associated with the famous Six Jewel Rivers of Japan, a recurring theme in classical poetry and visual arts. Utamaro, a master of the ukiyo-e genre, focuses here on the daily activities of women and children near water, blending traditional literary references with the contemporary fashions of the Edo period.
The composition is divided into distinct panels, each presenting a scene from a different province. Utamaro employs his characteristic style, featuring elongated figures with expressive faces and detailed garments. The lines are fine and controlled, defining the folds of the kimonos and the delicate features of the subjects. The colour palette is muted, relying on soft ochres, muted reds, and subtle greens, which creates a sense of harmony across the multi-panel format. The background elements, such as the flowing water and sparse vegetation, provide a sense of place without overwhelming the human subjects.
Utamaro was highly regarded for his bijin-ga, or pictures of beautiful women, and this print demonstrates his ability to capture grace and movement. The interaction between the adults and children adds a narrative quality to the work, suggesting domestic scenes rather than purely formal portraits. By placing these figures within the context of the Six Jewel Rivers, Utamaro connects the everyday life of his contemporaries to the cultural history of Japan. This print serves as an example of the technical skill involved in late eighteenth-century Japanese printmaking, where the collaboration between artist, carver, and printer resulted in works of precision and aesthetic balance.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Musashi, Omi, Yamashiro, and Settsu Provinces from the series Fashionable Six Jewel Rivers (Furyu Mu Tamagawa) - Kitagawa Utamaro
Artist Biography
Kitagawa Utamaro
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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