My Eyes in the Time of Apparition - August Natterer
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A haunting, precise watercolour study by August Natterer, depicting his own eyes as he perceived them during a visionary experience.
August Natterer, a German engineer who spent much of his later life in psychiatric care, produced a body of work that documents his internal visual experiences. This specific piece, My Eyes in the Time of Apparition, captures a recurring motif in his output: the direct representation of his own ocular perception during moments of hallucination. The composition is stark, featuring two disembodied eyes floating against a neutral, aged paper background.
Natterer utilised a precise, almost clinical line quality to delineate the anatomy of the eyes. The irises are rendered with meticulous attention to colour and texture, using shades of blue, gold, and brown to create a sense of depth. The surrounding skin tones are applied with a delicate wash, providing a contrast to the sharper, more graphic treatment of the pupils and lashes. The work avoids unnecessary ornamentation, focusing instead on the singular, haunting quality of the gaze.
This image belongs to a broader series of drawings Natterer created to explain his visions to his doctors. He viewed these drawings as objective records of his experiences rather than artistic expressions. The lack of context or setting forces the viewer to confront the eyes directly, creating an immediate and unsettling engagement. The faint, ghost-like text visible in the background adds a layer of mystery, suggesting the presence of hidden thoughts or annotations that remain partially obscured. As a piece of Art Brut, it offers a rare glimpse into a highly individualised visual language, stripped of conventional artistic training or influence. The clarity of the execution, combined with the subject matter, provides a compelling example of how personal experience can be translated into a visual format with striking precision.
You might also like
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
My Eyes in the Time of Apparition - August Natterer
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

