Narcissus, Fungus, and Nandina - Wu Xizai
Archival giclée
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Description
A traditional Chinese ink and colour study of narcissus, fungus, and nandina by the Qing Dynasty master Wu Xizai.
Wu Xizai, a prominent calligrapher and seal carver of the Qing Dynasty, brings his disciplined brushwork to this botanical study. The composition features a grouping of narcissus, fungus, and nandina, plants often associated with auspicious symbolism in Chinese art. The narcissus, with its slender, blade-like leaves and delicate blossoms, occupies the lower portion of the frame, while the nandina berries provide a splash of muted red in the upper section.
The artist employs a calligraphic approach to the ink work, particularly in the rendering of the leaves and the rock formations at the base. The lines vary in weight and pressure, reflecting the artist's mastery of the brush. The ink washes are applied with restraint, allowing the natural tone of the paper to serve as a neutral background. The composition is balanced, with the vertical orientation typical of traditional hanging scrolls.
Wu Xizai was known for his adherence to the seal script style of calligraphy, and this influence is visible in the structural integrity of the plant forms. Rather than seeking a photographic representation, the work focuses on the essential character of the subjects. The inclusion of calligraphic inscriptions and red seals adds a layer of historical context, identifying the artist and the nature of the piece. This print captures the subtle tonal shifts of the original ink and colour, preserving the quiet observation of the natural world that defines this period of Chinese painting.
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Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Narcissus, Fungus, and Nandina - Wu Xizai
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