Netta pozzi (Water Well Cleaner), Plate 45 - Simon Guillain
Archival giclée
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Description
A detailed seventeenth-century etching by Simon Guillain depicting a water well cleaner, part of a series documenting the street labourers of Bologna.
This etching by Simon Guillain, titled Netta pozzi, originates from a series documenting the street vendors and labourers of seventeenth-century Bologna. Guillain, a French sculptor and engraver, produced these plates after drawings by Annibale Carracci. The work captures a figure engaged in the manual labour of cleaning wells, carrying the necessary equipment on their back. The composition focuses on the physical reality of the trade, showing the tools and the posture of the worker with directness.
The technique employs fine, controlled lines to define form and texture. The cross-hatching provides depth to the wooden barrels and the figure's clothing, while the background remains relatively sparse to keep the attention on the subject. This series is a valuable record of social history, documenting the diverse roles that populated the urban environment of the period. Unlike more idealised depictions of the era, this print offers a glimpse into the daily life of the working class.
Guillain's approach to the subject is observational. The figure is depicted in motion, suggesting the transient nature of their work. The inclusion of the plate number in the corner indicates its place within a larger collection of similar studies. The print provides a clear view of the tools used for well maintenance, including the bucket and the pick, rendered with technical precision. This piece is suitable for those interested in historical prints, the history of labour, or the graphic traditions of the seventeenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Netta pozzi (Water Well Cleaner), Plate 45 - Simon Guillain
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