Night View of the Yamato Tea-house in Nawate Dori Seen from Shijo Bridge - Hasegawa Sadanobu
Archival giclée
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Description
A woodblock print by Hasegawa Sadanobu depicting a snowy evening in Kyoto, featuring figures crossing the Shijo Bridge toward the Yamato tea-house.
This woodblock print by Hasegawa Sadanobu depicts a winter evening in Kyoto. The composition focuses on the Shijo Bridge, where figures traverse the span beneath umbrellas, shielding themselves from the falling snow. The scene captures the quiet atmosphere of the city, with the Yamato tea-house visible across the water in the Nawate Dori district. Sadanobu, a prominent figure in the Kamigata school of printmaking, often documented the specific urban geography of Kyoto, distinguishing his work from the more common Edo-centric subjects of his contemporaries.
The print employs a muted palette, dominated by deep indigo tones for the night sky and the river, contrasted against the white of the snow-covered rooftops. The artist uses a balanced arrangement of architectural elements and human figures to guide the viewer across the bridge and toward the distant buildings. The falling snow is rendered with fine, white flecks, providing a sense of texture and movement against the dark sky. The figures on the bridge are dressed in traditional winter attire, their forms simplified yet expressive, typical of the mid-nineteenth-century Ukiyo-e style.
Sadanobu's work provides a record of Kyoto's appearance during the late Edo period. The inclusion of specific locations, such as the Shijo Bridge and the Yamato tea-house, reflects the popularity of meisho-e, or pictures of famous places, which served as both travel guides and artistic souvenirs for visitors to the city. The print demonstrates the technical skill of the Kamigata printmakers, who often worked with a more refined, subtle aesthetic compared to the bolder prints produced in Edo. This piece remains a clear example of the regional characteristics of the Osaka and Kyoto print traditions.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Night View of the Yamato Tea-house in Nawate Dori Seen from Shijo Bridge - Hasegawa Sadanobu
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