Nous sommes tous d'honnêtes gens - Honoré Daumier
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Description
A biting 1834 political lithograph by Honoré Daumier, depicting government officials picking each other's pockets while feigning a friendly embrace.
This lithograph by Honoré Daumier, titled 'Nous sommes tous d'honnêtes gens, embrassons-nous, et que ça finisse' (We are all honest people, let us embrace, and let it end), was published in the journal La Caricature in 1834. It serves as a biting critique of the French government under the July Monarchy. Daumier depicts various political figures engaged in a group embrace, a gesture that masks their true intentions as they simultaneously pick each other's pockets. The central figure, often identified as King Louis-Philippe, is shown participating in this hypocritical display of unity.
Daumier employs his characteristic mastery of lithography to convey both physical weight and moral corruption. The figures are rendered with heavy, expressive lines that define their bulky forms and suspicious postures. The composition is arranged to draw the eye toward the centre, where the act of theft occurs under the guise of reconciliation. The artist uses the medium to expose the duplicity of the ruling class, stripping away the veneer of political decorum to reveal the greed beneath.
This work is a prime example of Daumier's contribution to 19th-century social commentary. His ability to capture the essence of a political climate through visual satire made him a frequent target of censorship. The print remains a sharp observation of power dynamics and the performative nature of political alliances. By focusing on the physical interaction of the figures, Daumier creates a scene that is both humorous and deeply cynical, reflecting the tensions of the era. The print is a significant piece for those interested in the history of political satire and the development of lithography as a tool for public discourse.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Nous sommes tous d'honnêtes gens - Honoré Daumier
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