November and December - Aegidius Sadeler II
Archival giclée
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Description
A detailed 17th-century engraving depicting the seasonal activities of November and December, featuring agricultural labour and rural life.
This engraving by Aegidius Sadeler II, after a design by Paul Bril, depicts the final two months of the year within a single composition. The work belongs to a series of the months, a traditional subject in European printmaking that links seasonal agricultural activities with the passage of time.
On the left side, the scene for November focuses on the autumn harvest and preparation for winter. Figures are shown pruning trees and gathering wood, while a group of pigs forage in the foreground, reflecting the traditional time for slaughtering livestock. The composition uses a dense arrangement of gnarled trees to frame the action, creating a sense of enclosure that contrasts with the more open, expansive view on the right.
The right side represents December, characterised by a shift towards colder conditions and the arrival of winter. The sky contains a small zodiac symbol of Capricorn, marking the sun's entry into the sign. The village in the background, set against a hilly horizon, suggests a quiet, rural life. Figures are engaged in various tasks, including tending to goats and moving supplies, while the overall atmosphere conveys the transition into the year's end.
Sadeler's technical skill is evident in the varied line work used to distinguish between the textures of rough bark, animal fur, and the distant stone architecture. The engraving demonstrates the influence of the Flemish tradition of seasonal imagery, where human activity is closely observed and integrated into the natural environment. The print serves as a record of early modern rural life, capturing the rhythm of the seasons through precise, descriptive mark-making. The collaboration between Bril, known for his atmospheric approach to nature, and Sadeler, a master of the burin, results in a balanced composition that manages to convey both the specificities of daily labour and the broader cycle of the calendar year.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
November and December - Aegidius Sadeler II
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