Nu moet ik met myn Haan, bedaard naar Elba gaan - Wijnand Esser
Archival giclée
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Description
A satirical 1814 etching by Wijnand Esser depicting Napoleon Bonaparte riding a cockerel, mocking his forced exile to Elba.
This etching by Wijnand Esser is a satirical commentary on the political climate of early nineteenth-century Europe. Produced in 1814, the work depicts Napoleon Bonaparte mounted upon a large cockerel, a traditional symbol of France. The title, which translates to 'Now I must go calmly to Elba with my rooster', references the Emperor's forced abdication and subsequent exile to the island of Elba following the collapse of his empire.
Esser employs the visual language of caricature to diminish the stature of the former leader. By placing Napoleon on a bird rather than a warhorse, the artist mocks the military authority that once defined his reign. The figure wears a uniform adorned with medals, yet his posture and the absurdity of his mount suggest a loss of dignity. The line work is precise, characteristic of the period's printmaking techniques, and focuses on the exaggerated features of the subject to convey a sense of irony.
As a Dutch printmaker and art dealer based in The Hague, Esser was well-positioned to observe the shifting political tides of the Napoleonic era. This print belongs to a broader tradition of European political satire, where artists used accessible imagery to critique contemporary events. The composition is straightforward, placing the central figure against a plain background to ensure the narrative intent remains clear. The text at the base of the print provides the necessary context for the viewer, framing the image as a commentary on the transition from imperial power to political isolation. This piece offers a glimpse into the public perception of Napoleon during his final days in power, capturing the relief and mockery felt by many across the continent as the Napoleonic Wars drew to a close.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Nu moet ik met myn Haan, bedaard naar Elba gaan - Wijnand Esser
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