Okazaki, from the series Fifty-Three Stations of the Tōkaidō - Katsushika Hokusai
Archival giclée
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Description
A classic woodblock print by Katsushika Hokusai depicting the Yahagi Bridge at Okazaki, featuring travellers crossing the river towards the distant castle.
This woodblock print by Katsushika Hokusai depicts the post station of Okazaki, a location on the Tōkaidō road connecting Edo and Kyoto. The composition focuses on the Yahagi Bridge, a structure of significant length that spans the river, guiding the viewer across the scene. Travellers, rendered with simple forms, traverse the bridge under the shelter of umbrellas, suggesting the atmospheric conditions of the journey.
Hokusai employs a structured approach to space, using the bridge as a diagonal element to create depth. The background features the distant silhouette of Okazaki Castle, nestled among rolling hills. The artist uses a restrained colour palette, relying on soft ochres, muted greens, and subtle red-brown tones to define the terrain and the architectural elements. The sky is marked by horizontal bands of colour, a technique common in the period to suggest atmospheric perspective without excessive detail.
Unlike the later, more famous series by Utagawa Hiroshige, Hokusai’s interpretation of the Tōkaidō route often emphasises the structural and topographical elements of the journey. The print captures the rhythm of travel, with the repetitive motion of the figures on the bridge contrasting with the stillness of the surrounding geography. The lines are precise, reflecting the technical skill required for the woodblock carving process. This work provides a view into the travel culture of the Edo period, documenting the infrastructure that supported the movement of people across the Japanese provinces. The print is an example of the artist's early mastery of composition and his ability to translate complex geographical features into a clear, graphic format suitable for mass production.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Okazaki, from the series Fifty-Three Stations of the Tōkaidō - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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