Old Indian House, Northern British Columbia - Emily Carr
Archival giclée
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Description
A powerful expressionist oil painting by Emily Carr, capturing a traditional Indigenous house front and totem pole in Northern British Columbia.
Emily Carr, a Canadian artist of significant stature, produced this work during a period of intense focus on the Indigenous cultures of the Pacific Northwest. The painting depicts a traditional house front, characterised by its monumental scale and the inclusion of a central totem pole. Carr employs a bold, expressive application of paint, using heavy brushwork to define the architectural elements and the surrounding foliage. The composition is dominated by the verticality of the totem pole, which serves as a structural anchor for the scene.
Carr's approach to the subject is marked by a synthesis of her earlier training and the influence of the Fauvist movement, which she encountered during her time in France. The palette is composed of deep, earthy tones, punctuated by the stark contrast of the dark totem against the lighter sky. The eyes painted on the house front provide a sense of observation, creating a dialogue between the viewer and the cultural history represented in the work. The figures at the base of the structure are rendered with minimal detail, allowing the focus to remain on the architectural and symbolic elements of the site.
This piece reflects Carr's dedication to documenting the vanishing structures of the First Nations people. She travelled extensively through British Columbia, often under difficult conditions, to capture these sites before they succumbed to the elements or neglect. Her work is not merely a record of these locations, but an interpretation of their presence within the natural environment. The painting demonstrates her ability to convey the weight and history of the subject through a modern, subjective lens. It remains a clear example of her stylistic transition towards the more abstracted, rhythmic forms that would define her later career.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Old Indian House, Northern British Columbia - Emily Carr
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