Olive Trees with Yellow Sky and Sun - Vincent van Gogh
Archival giclée
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Description
A striking 1889 study of olive trees in Provence, featuring the characteristic expressive brushwork and golden light of Vincent van Gogh.
Painted in 1889 during his stay at the asylum in Saint-Rémy-de-Provence, this work captures the gnarled, rhythmic forms of olive trees against a radiant, sun-drenched sky. Vincent van Gogh produced a series of studies focusing on the olive groves surrounding the clinic, finding in their twisted trunks and silver-green foliage a subject that allowed for intense experimentation with colour and brushwork.
The composition is dominated by the contrast between the warm, golden hues of the sky and the cooler, blue-toned shadows cast upon the earth. The sun, depicted as a glowing orb, radiates light through short, directional brushstrokes that create a sense of movement across the canvas. The trees themselves are rendered with thick, impasto applications of paint, their trunks twisting in organic, almost human-like gestures. In the background, the faint, cool outlines of the Alpilles mountains provide a structural anchor to the otherwise fluid and energetic scene.
Van Gogh used this subject to explore the relationship between the natural world and his own internal state. The repetition of the brushstrokes across the sky and ground unifies the image, drawing the eye across the grove. This piece demonstrates his ability to transform a familiar rural scene into a highly personal vision through the application of colour theory and rhythmic mark-making. The work remains a primary example of his late period, where his technique became increasingly expressive and liberated from strict representational accuracy. The physical texture of the original paint is translated here into a high-quality fine art print, preserving the energy of his original application.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Olive Trees with Yellow Sky and Sun - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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