Ontwerp voor illustratie in De Amsterdammer: Een Italiaan slaat op de Kop van Jut - Johan Braakensiek
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Description
A 1912 political illustration by Dutch artist Johan Braakensiek, depicting a satirical scene of a man testing his strength on a fairground machine.
This original design by Johan Braakensiek, dated 5 May 1912, served as a preparatory illustration for the Dutch weekly publication De Amsterdammer. Braakensiek was a prolific illustrator and cartoonist, known for his contributions to the political discourse of the early twentieth century. This piece depicts a man in Italian attire striking a 'Kop van Jut', a traditional fairground strength-testing machine. The figure wields a mallet, aiming to hit the target to ring the bell at the top of the scale. The inclusion of an angel figure at the pinnacle of the measuring rod adds a layer of allegorical commentary, common in the editorial cartoons of the period.
The drawing demonstrates Braakensiek's technical proficiency with ink and wash. He employs clean, decisive outlines to define the central figure and the mechanical apparatus, while using subtle grey washes to suggest atmospheric depth and shading. The composition is balanced, placing the action clearly within the frame to ensure readability for the printed page. Annotations at the bottom of the sheet provide insight into the production process, including technical instructions for the engraver regarding the reproduction of the image.
Braakensiek's work often engaged with international events and social tensions. By using the metaphor of a fairground game, he reduces complex geopolitical or social conflicts to a singular, relatable action. The style is characteristic of the era's editorial illustration, prioritising clarity and narrative impact over decorative detail. This print offers a glimpse into the working methods of a professional illustrator, showing the transition from initial sketch to final publication. The work remains a document of the visual language used to communicate political satire to a broad audience in the Netherlands during the pre-war years.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ontwerp voor illustratie in De Amsterdammer: Een Italiaan slaat op de Kop van Jut - Johan Braakensiek
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