Oostelijke doksluizen voor Amsterdam - Petrus Kiers
Archival giclée
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Description
A detailed 1832 lithograph by Petrus Kiers documenting the construction of the Eastern Dock Locks in Amsterdam.
This lithograph by Petrus Kiers documents the construction of the Eastern Dock Locks in Amsterdam. Produced in 1832, the work captures the technical ambition of early nineteenth-century Dutch civil engineering. Kiers, a Dutch painter and printmaker, provides a clear view of the site, focusing on the massive timber scaffolding and the complex masonry required to manage the city's water infrastructure. The composition is organised to show the scale of the project, with workers positioned in the foreground to provide a sense of proportion against the heavy wooden structures.
The print serves as a visual record of urban development. The flags flying above the locks suggest a formal occasion, likely an inspection or a ceremony marking a stage of completion. The sky is rendered with soft, tonal washes, typical of the lithographic technique, which allows for subtle transitions between light and shadow. The architectural elements are depicted with precision, reflecting the artist's interest in the physical reality of the site. The text at the bottom of the print identifies the work as a dedication to the Mayor and Aldermen of Amsterdam, confirming its role as a commemorative document of civic progress.
Kiers was known for his attention to light and atmospheric conditions, qualities that are present here despite the technical nature of the subject. The print avoids unnecessary embellishment, preferring a direct representation of the construction site. It offers a glimpse into the industrial history of Amsterdam, showing the methods used to maintain the city's relationship with its waterways. This piece is a useful example of how nineteenth-century printmaking functioned as a medium for public information and civic pride, documenting the physical transformation of the city during a period of expansion.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Oostelijke doksluizen voor Amsterdam - Petrus Kiers
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