Overstroming te Lith - Charles Rochussen
Archival giclée
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Description
A detailed etching by Charles Rochussen depicting the aftermath of a flood in the Dutch village of Lith, capturing a quiet, sombre moment of rural life.
Charles Rochussen, a Dutch painter and illustrator, produced this etching depicting the aftermath of a flood in the village of Lith. The work captures a sombre scene where the rising waters have transformed the local environment, forcing residents to navigate their surroundings by small boat. The composition focuses on the quiet desperation of the event, with figures huddled in a vessel as they pass partially submerged buildings.
Rochussen employs a delicate etching technique to render the atmospheric conditions of the day. The sky is filled with soft, rolling clouds, while the water surface reflects the muted light. The foreground features a rocky embankment where figures stand, providing a sense of scale against the distant, inundated structures. The artist avoids dramatic flair, opting instead for a documentary approach that records the reality of life in the low-lying regions of the Netherlands during the nineteenth century.
This print demonstrates the technical skill Rochussen applied to his graphic works. His ability to convey texture, from the rough stone in the foreground to the smooth, reflective surface of the floodwaters, is evident. The etching reflects the broader interest in Dutch genre painting, where everyday life, even in times of hardship, became a subject for artistic inquiry. The work remains a record of the environmental challenges faced by communities along the river Meuse, presented with a restraint that allows the subject matter to speak for itself. The inclusion of small, precise details, such as the lone vertical post rising from the water, adds a sense of isolation to the scene. This piece is a representative example of Rochussen's output during his career, showing his proficiency in capturing both the human element and the physical environment of his native country.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Overstroming te Lith - Charles Rochussen
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