Paddy Bird and Magnolia Flowers - Katsushika Hokusai
Archival giclée
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Description
A refined woodblock print by Katsushika Hokusai depicting a Java sparrow perched on a flowering magnolia branch, created during the 1830s.
This woodblock print belongs to a series of large-format bird and flower studies, known as kacho-ga, produced by Katsushika Hokusai during the 1830s. The composition features a Java sparrow, often referred to as a paddy bird, perched upon a flowering magnolia branch. Hokusai employs a refined colour palette, utilising muted blues for the foliage and soft, natural tones for the bird, set against a pale, neutral background.
The print demonstrates the artist's mastery of the woodblock medium, particularly in the delicate registration of the lines and the subtle application of colour gradients. The magnolia blossoms are rendered with a sense of organic movement, their petals curving naturally around the central branch. The inclusion of Japanese calligraphy in the upper right quadrant provides a poetic accompaniment to the visual subject, a common convention in Edo-period print culture.
Unlike his more dramatic depictions of waves or mountains, this work focuses on the quiet observation of nature. The bird is captured in a moment of stillness, its form balanced by the weight of the blossoms. The print reflects the technical precision of the period, where the collaboration between the artist, the woodcarver, and the printer resulted in works of high clarity. The composition avoids excessive clutter, allowing the viewer to focus on the interaction between the avian subject and the botanical elements. This piece remains a representative example of Hokusai's later career, during which he turned his attention toward the natural world with renewed focus and technical control.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Paddy Bird and Magnolia Flowers - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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