Page from Livre de Diverses Perspectives et Paisages - Israël Silvestre
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Description
A detailed 1651 etching by Israël Silvestre depicting a monumental triumphal arch and formal garden, showcasing the precision of seventeenth-century French printmaking.
This etching originates from the 1651 publication 'Livre de Diverses Perspectives et Paisages', a collection of prints by the French draughtsman and engraver Israël Silvestre. Silvestre occupied a position of note in the seventeenth-century French art scene, serving as a drawing master to the Dauphin and eventually becoming a member of the Académie Royale de Peinture et de Sculpture. His work often documented the architectural grandeur of the era, capturing both existing structures and idealized classical compositions.
The print displays a monumental triumphal arch, rendered with the precision characteristic of Silvestre's graphic output. The structure features three distinct bays, with the central arch being the most prominent. Classical columns support an entablature adorned with sculptural figures, while swags and decorative motifs populate the upper registers. Through the central arch, one observes a formal garden layout, complete with fountains and figures, suggesting a controlled, ordered approach to space typical of the period. The foreground is populated by small, animated figures who provide a sense of scale to the imposing architecture.
Silvestre utilised a refined etching technique to delineate the textures of stone, foliage, and human figures. The composition relies on a rigorous application of linear perspective, guiding the eye through the archway into the distance. This print serves as a record of the aesthetic values of the mid-seventeenth century, where symmetry and classical proportion were held in high regard. The inclusion of the title and publication details at the base of the print confirms its status as a plate from a larger instructional or illustrative series, intended to disseminate architectural ideas to a wider audience of collectors and students of the arts.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Page from Livre de Diverses Perspectives et Paisages - Israël Silvestre
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