Path Through a Field with Willows - Vincent van Gogh
Archival giclée
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Description
A classic Post-Impressionist view of the Provençal countryside, featuring a winding path, gnarled willow trees, and a distant farmhouse.
Painted during his time in Arles, this work captures the rural surroundings of Provence. Van Gogh employs a distinct application of paint, using thick, directional brushstrokes to define the textures of the earth, the grasses, and the gnarled trunks of the willow trees. The composition is structured by a diagonal path that draws the eye toward a small, white house situated in the distance. A single, tall cypress tree stands near the building, providing a vertical counterpoint to the horizontal expanse of the fields.
The colour palette is characteristic of his southern French period. The sky is rendered in a clear, light blue, while the fields are composed of ochre, gold, and green tones. The contrast between the warm, earthy foreground and the cooler tones of the sky creates a sense of depth. Van Gogh focuses on the physical presence of the environment, using his brush to convey the movement of the wind through the vegetation. The fence line on the left provides a rhythmic element, guiding the viewer along the path. This piece reflects his interest in the daily life of the countryside and his ability to transform a simple rural view into a study of light and form. The application of paint remains visible throughout, showing the speed and energy with which he worked. By focusing on the interplay between the natural elements and the man-made structures, the artist creates a balanced view of the Provençal environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Path Through a Field with Willows - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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