Paupertas Voluntaria - Francesco Pozzi
Archival giclée
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Description
An allegorical etching by Francesco Pozzi after Domenichino, depicting the figure of Voluntary Poverty with raised arms and discarded coins.
This engraving by Francesco Pozzi depicts the allegorical figure of Voluntary Poverty (Paupertas Voluntaria). The composition is based on a design by the Baroque painter Domenico Zampieri, known as Domenichino, specifically referencing his work within the tribuna of the church of Sant'Andrea della Valle in Rome. The figure is shown in a state of supplication, with arms raised and eyes turned upward, embodying a spiritual renunciation of material wealth.
At the base of the figure, a vessel lies overturned, spilling coins onto the ground. This detail serves as a clear visual signifier of the rejection of worldly riches. The artist employs precise hatching and cross-hatching techniques to model the form of the figure and the heavy folds of the drapery, creating a sense of volume and weight. The lighting is dramatic, casting deep shadows that define the contours of the body against a plain background.
Pozzi, a skilled printmaker active in Rome during the late eighteenth century, was frequently commissioned to reproduce the works of earlier masters. His technical approach reflects the disciplined training of the period, prioritising clarity of line and anatomical accuracy. The print captures the emotional intensity of the original fresco, translating the painterly qualities of Domenichino into the linear language of the copperplate. The inscription at the bottom identifies the subject, the original painter, and the printmaker, providing a clear provenance for the work within the context of Roman print culture. This piece offers a view into the historical practice of disseminating large-scale religious art through the medium of fine prints, allowing collectors and scholars to study the compositions of the Italian masters in a portable format.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Paupertas Voluntaria - Francesco Pozzi
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