Pierre Séguier, Marquis de Saint-Brison - Robert Nanteuil
Archival giclée
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Description
A formal 1659 portrait engraving by Robert Nanteuil, depicting Pierre Séguier, Marquis de Saint-Brison, in armour with a decorative heraldic cartouche.
Robert Nanteuil was a master of the portrait engraving during the reign of Louis XIV. This work, dated 1659, depicts Pierre Séguier, Marquis de Saint-Brison, in a formal oval frame. Nanteuil was known for his ability to capture the likeness of the French aristocracy with precision, often working from life, as indicated by the inscription 'ad vivum' on the plate.
The subject is shown in three-quarter profile, wearing the elaborate periwig characteristic of the mid-seventeenth century. His attire includes a lace cravat and polished armour, which denotes his status and military role. The engraving technique demonstrates Nanteuil's command of line and tone, using varied hatching to create the texture of the hair, the sheen of the metal, and the soft shadows of the face. The oval frame is inscribed with the subject's titles, providing a clear identification of the sitter within the social hierarchy of the period.
Below the portrait, a decorative cartouche features the coat of arms of the Marquis de Saint-Brison, supported by two putti. This heraldic element adds a layer of formality to the composition, typical of high-status portraiture of the era. Nanteuil's work was highly regarded for its psychological depth and technical refinement, making him the preferred engraver for the royal court. This print offers a clear example of the formal portrait style that defined the visual culture of the French Baroque. The clarity of the lines and the balanced composition reflect the disciplined approach Nanteuil brought to his craft, ensuring that the sitter's features remained the primary focus while maintaining the decorative requirements of the genre.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pierre Séguier, Marquis de Saint-Brison - Robert Nanteuil
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