Plate 159 Cardinal Grosbeak - John James Audubon
Archival giclée
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Description
A detailed ornithological study of the Northern Cardinal from John James Audubon's The Birds of America, featuring the male and female on a branch.
This print originates from John James Audubon's monumental publication, The Birds of America, produced between 1827 and 1838. The work depicts the Northern Cardinal, identified here by its historical nomenclature, Cardinal Grosbeak. Audubon utilised a combination of watercolour, pastel, and pencil for his original studies, which were subsequently translated into copper plates by the engraver Robert Havell Jr. in London.
The composition presents a male and female cardinal perched upon branches of the Wild Almond tree. Audubon departed from the static, profile-based conventions of earlier natural history illustration. Instead, he rendered his subjects in active, lifelike poses, often incorporating the specific flora associated with the bird's habitat. The male bird is shown in profile, displaying the characteristic crest and vivid plumage, while the female is positioned below, exhibiting more muted, earthy tones that provide a contrast to the male's appearance.
The technical execution relies on the aquatint process to achieve subtle gradations of colour and texture, particularly in the feathers and the foliage. The white background is typical of the Havell edition, allowing the focus to remain entirely on the biological accuracy of the specimens. Audubon's work remains a primary reference for nineteenth-century American ornithology, documenting species as they appeared in their natural environment during the early decades of the century. This print captures the scientific rigour and artistic precision that defined Audubon's approach to documenting the avian life of North America.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Plate 159 Cardinal Grosbeak - John James Audubon
Artist Biography
John James Audubon
He was born illegitimate in 1785 in Les Cayes, Saint-Domingue (now Haiti), the son of a French merchant and a Creole woman. He was sent to America at eighteen to avoid Napoleonic conscription. He was also a serial fabricator: he claimed his father was an admiral (he was a captain), said his family had been imprisoned in the Bastille (they had not), and invented frontier stories about fighting wolves and sleeping in igloos. He ran a dry-goods store in Kentucky and was jailed for bankruptcy in 1819.
The paintings themselves are extraordinary: precise, dynamic, and composed with a narrative quality that goes beyond scientific illustration. His legacy is contested. The National Audubon Society and several regional chapters dropped his name in 2023 because of his documented history as an enslaver. He died in 1851.
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