Plattegrond van het souterrain van het Palazzo Carrega-Cataldi te Genua - Peter Paul Rubens
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Description
An architectural floor plan of the Palazzo Carrega-Cataldi in Genoa, published by Peter Paul Rubens in 1622.
This architectural plan depicts the basement level of the Palazzo Carrega-Cataldi in Genoa. It originates from the publication 'Palazzi di Genova', a collection of architectural studies compiled by Peter Paul Rubens. First released in 1622, this work documents the grand residences of the Genoese aristocracy, reflecting the influence of Italian Renaissance and Baroque design on Northern European architecture.
The print is a technical document, focusing on the spatial arrangement of the subterranean floor. It employs precise, clean lines to delineate the walls, staircases, and room divisions. The cross-hatching within the wall structures provides a clear visual distinction between solid masonry and open interior spaces. Annotations in Italian are present, including a note regarding measurements and cardinal directions, which assist in orienting the viewer within the structure. The engraving was executed by Nicolaes Ryckemans, who collaborated with Rubens to translate his original drawings into a reproducible format for wider circulation among architects and patrons.
As a historical document, this print offers insight into the domestic organisation of a seventeenth-century Italian palace. The layout reveals a functional approach to space, with clearly defined circulation paths and structural supports. The inclusion of the 'Figura 1' label and the formal title at the base indicates its role as part of a larger, systematic catalogue of architectural types. The aesthetic is restrained and utilitarian, prioritising clarity and accuracy over decorative flourish. This print is a valuable example of how architectural knowledge was disseminated across Europe during the early seventeenth century, bridging the gap between Italian design principles and the broader European artistic consciousness.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Plattegrond van het souterrain van het Palazzo Carrega-Cataldi te Genua - Peter Paul Rubens
Artist Biography
Peter Paul Rubens
Rubens's studio was a powerhouse of artistic production. He didn't shy away from employing assistants; instead, he embraced collaboration, understanding that a team of skilled artists could bring his monumental visions to life. This approach allowed him to tackle vast projects, such as the Medici Cycle, a series of 24 paintings celebrating the life of Marie de' Medici. His prolific output and mastery of composition made him the most sought-after artist of his time, his influence rippling across Europe.
Considered one of the most influential figures in Western art history, Rubens’s impact extends far beyond his own paintings. His dynamic compositions, vibrant colours, and sensual figures defined the Baroque style, influencing generations of artists. Owning a Rubens print is not just about acquiring a beautiful image; it's about owning a piece of art history, a testament to the power of collaboration, innovation, and a life lived to the fullest.
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