Playing with Camellia Flowers - Suzuki Harunobu
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Suzuki Harunobu, capturing a quiet domestic moment between a woman and a child amidst camellia flowers.
This woodblock print by Suzuki Harunobu depicts a domestic scene set upon a wooden veranda. A woman sits on the floor, attending to a young child who holds a small collection of camellia blossoms. The composition is divided by architectural elements, with a second figure visible in the background, engaged in grooming. Harunobu was a pioneer of the nishiki-e, or brocade print, which allowed for the use of multiple colours in a single image. This technical advancement is evident in the subtle colour palette applied to the figures' robes and the surrounding environment.
The figures are rendered with the slender, graceful proportions characteristic of Harunobu's work. The scene conveys a quiet, everyday moment, typical of the Ukiyo-e genre, which focused on the lives of common people and the floating world of Edo-period Japan. The inclusion of calligraphy at the top of the print integrates text with the visual narrative, a common feature in prints of this era. The architectural lines provide a sense of structure, while the soft tones of the camellias and the clothing create a balanced visual experience. The print demonstrates the artist's ability to capture delicate human interactions through precise line work and a controlled application of pigment. The background features a bamboo fence and foliage, suggesting a garden setting that extends the space beyond the immediate foreground. This work reflects the aesthetic values of the mid-eighteenth century, where the focus remained on the elegance of form and the depiction of transient, peaceful moments in daily life.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Playing with Camellia Flowers - Suzuki Harunobu
Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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