Poem by Chunagon Yakamochi - Katsushika Hokusai
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Description
A woodblock print by Katsushika Hokusai from his series interpreting the classic Hyakunin isshu poetry anthology, featuring a boat on calm waters.
This woodblock print belongs to the series One Hundred Poems Explained by the Nurse, a project in which Katsushika Hokusai interpreted the classic Hyakunin isshu poetry anthology. The series was intended to make these historical verses accessible to a wider audience, including children and commoners, by providing visual narratives that accompanied the original text.
In this composition, Hokusai depicts a scene associated with the poem by Chunagon Yakamochi. The visual focus is a large, ornate boat navigating calm waters, rendered with the precise line work characteristic of the artist's later period. The vessel features a distinct, curved hull and a cabin structure, contrasting with the jagged, textured rock formations that rise from the water in the background. These rocks, coloured in deep earthy tones, provide a sense of scale against the expansive, pale sky.
The colour palette relies on a balance of muted blues, deep ochres, and subtle pinks in the horizon line. Hokusai employs a flattened perspective, typical of the Ukiyo-e tradition, which allows the viewer to observe the interplay between the human-made vessel and the natural environment. The inclusion of the poem in the upper right corner serves as a formal element of the design, integrating calligraphy into the pictorial space. This print demonstrates Hokusai's ability to combine literary themes with his interest in maritime subjects and coastal geography, creating a balanced image that remains grounded in the aesthetic conventions of the Edo period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Poem by Chunagon Yakamochi - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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