Poem by Fujiwara no Yoshitaka - Katsushika Hokusai
Archival giclée
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Description
A woodblock print by Katsushika Hokusai depicting a coastal scene from his series interpreting the One Hundred Poems by One Hundred Poets.
This woodblock print belongs to the series One Hundred Poems by One Hundred Poets Explained by an Old Nurse, a project by Katsushika Hokusai that remained unfinished. The series interprets the Hyakunin Isshu, a classical anthology of Japanese poetry, through the lens of everyday life and folklore. In this composition, Hokusai depicts a scene associated with the poem by Fujiwara no Yoshitaka, which speaks of longing and the desire to see a loved one.
The visual narrative presents a coastal dwelling with an open veranda, where figures are gathered in various states of repose. The architecture is rendered with precise, clean lines, contrasting with the fluid, ethereal ribbons of smoke that drift across the frame. These plumes of smoke create a sense of movement and atmosphere, bridging the gap between the interior space and the vast, deep blue expanse of the sea beyond. The colour palette relies on deep indigo, soft ochre, and muted earth tones, typical of the period's printing techniques.
Hokusai employs a sophisticated use of perspective, placing the viewer at an elevated angle that allows for a clear view of both the domestic activity and the distant horizon. The figures, dressed in patterned kimonos, are integrated into the structure, their postures suggesting a quiet, contemplative mood. The inclusion of the poem in the upper right corner provides the literary context, linking the visual imagery to the classical text. This work demonstrates the artist's ability to translate abstract poetic themes into concrete, observable reality, capturing a moment of stillness by the water. The print is a fine example of the technical skill involved in Edo-period woodblock production, where multiple blocks were used to achieve the subtle gradations of colour and the crisp definition of the architectural elements.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Poem by Fujiwara no Yoshitaka - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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