Poem by Motoyoshi Shinnō - Katsushika Hokusai
Archival giclée
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Description
A woodblock print by Katsushika Hokusai depicting a rural coastal scene, part of his series illustrating the classical Hyakunin isshu poetry anthology.
This woodblock print belongs to the series Hyakunin isshu uba ga etoki, or One Hundred Poems Explained by the Nurse, produced by Katsushika Hokusai during the 1830s. The series interprets the classical Hyakunin isshu poetry anthology through the lens of daily life in the Edo period. In this specific composition, Hokusai illustrates the poem by Motoyoshi Shinnō, which speaks of the difficulty of concealing one's love, much like the waves that crash against the shore.
The visual narrative depicts a rural scene along a coastal path. A man struggles to lead a bull laden with a large bundle of straw, while two figures holding umbrellas walk nearby. The composition balances the domestic activity of the foreground with the expansive, calm horizon of the sea. Hokusai employs a controlled colour palette, using muted earth tones for the path and the animal, contrasted against the deep blues of the water and the soft pinks of the sky at dusk. The inclusion of the poem in a cartouche at the top right provides the necessary literary context for the viewer, a common feature in this series.
Hokusai demonstrates his mastery of line and spatial arrangement here. The figures are rendered with precise, economical strokes, and the perspective draws the eye across the stone-paved path toward the distant bay. The print reflects the artist's interest in combining classical literature with the realities of contemporary Japanese life. By placing the poem in a domestic setting, Hokusai makes the ancient verses accessible to a wider audience. This work is a fine example of the technical skill involved in late-period ukiyo-e, where the registration of colours and the clarity of the carved lines remain sharp and deliberate.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Poem by Motoyoshi Shinnō - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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