Poems about Cherry Blossoms (Murasame Fragments) - Nijō Tameyo
Archival giclée
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Description
A refined example of Japanese calligraphy from the Murasame-gire, featuring fluid kana script on decorated paper by the poet Nijō Tameyo.
This piece is a segment of the Murasame-gire, a collection of calligraphic fragments attributed to the Japanese poet and courtier Nijō Tameyo. The work displays the kana script, a syllabary developed for the Japanese language, which allows for the fluid, rhythmic expression seen here. The characters flow across the page with a grace that reflects the aesthetic values of the Kamakura period, where the mastery of brushwork was a requirement for the aristocracy.
The paper itself is decorated with subtle, abstract ink washes that suggest the presence of branches or atmospheric conditions, providing a visual backdrop for the written verse. These motifs do not distract from the text but rather complement the poetic subject matter of cherry blossoms. The ink varies in density, creating a sense of movement that mirrors the ephemeral nature of the blossoms described in the poems. The composition balances the density of the script with the negative space of the paper, a hallmark of traditional Japanese design.
Nijō Tameyo was a member of the Nijō school of poetry, which maintained a conservative approach to the waka tradition. His calligraphy is noted for its elegance and adherence to classical standards. This fragment provides a glimpse into the literary culture of the time, where the physical presentation of a poem was as important as its content. The preservation of such fragments allows for the study of historical writing styles and the development of Japanese aesthetics. This print captures the texture of the original paper and the nuances of the ink, offering a clear view of the brush strokes and the interplay between the written word and the decorative surface.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Poems about Cherry Blossoms (Murasame Fragments) - Nijō Tameyo
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