Pomona Britannica: No. 82 - Pears - George Brookshaw
Archival giclée
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Description
A detailed botanical study of three pears from George Brookshaw's 1812 collection, Pomona Britannica, featuring precise hand-coloured aquatint work.
George Brookshaw was a cabinet maker and painter who turned his attention to botanical illustration during the early nineteenth century. This print originates from his major work, Pomona Britannica, published in 1812. The collection documents the various fruits grown in the royal gardens at Kensington and other prominent estates of the period.
This specific plate depicts three varieties of pears, suspended from their branches. The composition is set against a dark, near-black background, a technique Brookshaw employed to draw attention to the texture and colour of the fruit. The use of aquatint and stipple engraving allows for subtle gradations in tone, capturing the mottled skin of the pears and the delicate veining of the leaves. The artist provides a precise rendering of the fruit, reflecting the scientific interest in pomology that occupied many horticulturists of the era.
Brookshaw’s approach combines the accuracy required for botanical study with a decorative sensibility. The arrangement of the fruit appears natural, yet the stark contrast between the subjects and the void of the background gives the work a graphic quality. The print is a representative example of the high standards of British colour printing during the Regency period. It demonstrates the technical skill involved in layering multiple plates to achieve the depth of colour seen in the russet, yellow, and green skins of the pears. The work remains a reference for those interested in the history of fruit cultivation and the development of printmaking techniques in the United Kingdom.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pomona Britannica: No. 82 - Pears - George Brookshaw
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