Pont sur la Loue à Moutier - Auguste Herbin
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A 1923 watercolour by Auguste Herbin depicting the bridge over the Loue river in Moutier, rendered with fluid washes and simplified forms.
Auguste Herbin, a French artist associated with the development of early twentieth-century abstraction, produced this watercolour in 1923. The work depicts the bridge over the Loue river in Moutier, a location in the Franche-Comté region of France. Herbin employs a fluid, expressive application of watercolour, allowing the pigment to bleed into the paper to define the surrounding hills and foliage. The composition is structured around the horizontal span of the bridge, which acts as a bridge between the architectural elements on the left and the tower on the right.
The palette relies on soft, muted tones of ochre, sage green, and pale blue. Unlike his later, strictly geometric compositions, this piece retains a representational quality, though the forms are simplified and flattened. The hills in the background are rendered with broad, sweeping washes that suggest volume without the use of traditional chiaroscuro. The architecture is reduced to basic shapes, reflecting the artist's interest in the structural properties of the scene. The water in the foreground is left largely unpainted, creating a sense of space and calm that balances the denser, more saturated areas of green in the upper portion of the frame.
This work provides insight into Herbin's practice during the interwar period, a time when he moved between figurative observation and the rigid geometric abstraction for which he is often recognised. The brushwork is deliberate, showing a confidence in the medium that allows the paper's texture to remain visible. It is a study of light and form, capturing the specific atmosphere of the Loue valley through a modernist lens. The work remains a clear example of how Herbin interpreted the natural environment through a simplified, rhythmic visual language.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pont sur la Loue à Moutier - Auguste Herbin
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

